Chapter 20 - The Other Child

Nora read Celeste’s message twelve times.
Your sister wasn’t the only child in that room.
Each time, the words became less understandable.
Sofia had died alone.
That was what the report said.
That was what Nora’s family buried.
That was what grief had shaped itself around.
Alone.
Now Celeste was reaching back through five years of ashes and twisting even that.
Nora called Mateo.
He answered from Mexico, voice raw. “I saw it.”
“What does it mean?”
“I don’t know.”
“Don’t lie to me.”
He went quiet.
Nora’s stomach dropped.
“Mateo.”
He exhaled shakily. “There were rumors after the fire. One kid unaccounted for. Not dead, not listed. A little boy maybe. Or a girl. Nobody knew.”
“Why didn’t you tell me?”
“Because you were nineteen and barely breathing.”
Nora closed her eyes.
Protection again.
Every family had its own version.
“Find out,” she said.
“We are.”
At the mansion, the girls sensed the change immediately. Children raised around secrets could smell them before adults spoke.
Ivy cornered Nora in the pantry.
“Is this about dead people or alive people?”
Nora looked at her, startled.
Ivy shrugged. “Those are the two adult whisper categories.”
“Maybe both.”
Ivy nodded like this confirmed her theory.
“Does Hazel know?”
“Some.”
“Then she’ll pretend she knows all.”
Nora almost smiled.
“You notice everything.”
“That’s what lying teaches you.”
The missing child became the new center of the investigation.
Maribel’s files contained one reference-S.D. + unknown minor removed before fire report.
The shelter’s intake records had been altered. One page had a torn corner where a name should have been.
Jonathan returned from Mexico the next evening with Mateo and Arturo’s sworn testimony. He looked like a man who had carried someone else’s coffin across a border.
The girls ran to him.
Even Hazel.
She stopped halfway, embarrassed by her own instinct, but Jonathan opened his arms and waited.
She entered them with a muttered, “This doesn’t mean anything.”
He held her and said, “Of course not.”
Nora watched from the kitchen doorway.
Something inside her softened and hurt at the same time.
Later, Jonathan found her in Maribel’s studio.
“I’m sorry,” he said.
“For what?”
“For bringing back more pain.”
Nora looked at the files spread around her.
“You didn’t bring it back. It was always here.”
He sat across from her.
“Elena returned to San Diego. Detectives are preparing to question her.”
“And Celeste?”
“Gone.”
Nora nodded.
Jonathan hesitated. “There’s something else. Arturo said Celeste kept private records. Insurance. Leverage. She may have stored them with someone she trusted.”
Nora looked up. “Who?”
Jonathan’s face tightened.
“My mother-in-law.”
Elena was questioned the next morning.
She denied everything until detectives showed Arturo’s statement. Then she stopped denying and started justifying.
According to Elena, Casa Luz had become a financial risk. Repairs were overdue. Donors were asking questions. She ordered old records burned in the kitchen furnace after hours. She claimed she did not know children were present.
But Celeste had known.
Celeste had sent Sofia to the storage room because Sofia had overheard too much.
“And the other child?” Detective Ross asked.
Elena’s expression changed.
“What other child?”
For the first time, she looked truly afraid.
The answer came not from Elena, but from June.
That afternoon, while Nora sorted papers in the sunroom, June walked in holding Lena’s broken doll.
“I fixed her arm,” June said.
Nora smiled. “You did.”
June climbed onto the chair beside her.
“The other child is in Mommy’s painting.”
Nora froze.
“What?”
June pointed toward Maribel’s studio.
“Mommy painted us with shadows when she was sad. Hazel said not to look.”
Nora called Jonathan.
They searched the studio again, this time for hidden images, not documents.
Behind a covered canvas, they found a painting of Casa Luz.
Not the fire.
Before.
Children in the courtyard.
Women hanging laundry.
A little girl with dark curls near the gate.
Sofia.
And beside Sofia, half-hidden behind a tree, a child with gray-blue eyes.
Jonathan stopped breathing.
“That’s…”
Nora looked from the painting to Jonathan.
The child in the painting looked like Lena.
But older.
Hazel whispered from the doorway, “Dad?”
Jonathan reached toward the canvas with shaking fingers.
“I know that face.”
May you like
His voice broke.
“Because it looks like mine.”